The cribs are hand-made across seasons, the craft passed down within families.
Pinzgauer — CC BY-SA 3.0 · Giorno2 — CC BY-SA 4.0 · Giorno2 — CC BY-SA 4.0 · Wald1siedel — CC BY-SA 3.0 at
Because they are a craft rather than seasonal decoration. In the Pinzgau and Tyrolean valleys the scenes are worked on over years, with carved figures, built landscapes and considered lighting, and they are inherited across generations. Seeing dozens together shows a range of styles and periods that a single piece cannot.
Yes if the weather has turned or you want something other than mountains and lake. Twenty kilometres by train or car, and a half day covers the museum and a walk through Saalfelden. On a clear day the Kitzsteinhorn and the lake come first.
Sign in to write your review of this place.
No reviews yet — be the first.
A regional museum in a seventeenth-century castle on the edge of Saalfelden north of Zell am See, looking out over a small pond in front of it. Its best-known holding is the nativity crib collection: dozens of hand-made scenes ranging in size from a small box to a whole room, some dating from the eighteenth century. Crib-making is a deep-rooted tradition in these Catholic valleys, passed down within families and worked on across entire winters, and the collection here is among the most important shown in Austria. The rest of the museum covers Pinzgau life before tourism: farming and craft tools, furniture and clothing, a section on mining, along with changing art exhibitions. Practical points: Saalfelden is about twenty kilometres north of Zell am See and easy to reach by train or car. Hours are seasonal and differ between summer and winter, and the crib season around Christmas is the best time to see the collection in its context.
The cribs are hand-made across seasons, the craft passed down within families.
Farm and craft tools and a mining section — the valley before the lifts.
Around Christmas the collection is seen in its living context rather than as exhibits.
Schloss Ritzen, Saalfelden, Pinzgau