The 1905 spires
Neo-Gothic at 84 metres — Brno's first picture.
Michal Klajban — CC BY-SA 3.0 · Mathias Krumbholz — CC BY-SA 3.0 · Cayambe — CC BY-SA 4.0 · Cayambe — CC BY-SA 4.0
The siege is hard record: Europe's fiercest army (Sweden of the Thirty Years' War) failing before little Brno under General Souches — the bell tale is deathless folk narrative with no sworn document: history proves the stand, the tale explains it more beautifully — and the city chose the tale as daily tradition, and what a choice.
Complements, not rivals: Petrov sees Špilberk, the castle sees the spires — practically: Petrov is the shorter climb and tighter to the old town, fold it into the centre walk; Špilberk is its own hill outing. The serious photographer climbs Petrov at sunset, the castle wearing the gold light.
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'Petrov' on its hill: Brno's cathedral with 84-metre Neo-Gothic twin spires (1905) is the city's first picture — and the Czech ten-crown coin carries it in every citizen's pocket. The base is centuries older: a Romanesque crypt visits beneath the altar, the interior Baroque with a story turned backwards. Its immortal quirk is 'noon at eleven': the bells have rung midday an hour early since 1645 — the Swedish siege's commander swore withdrawal if Brno hadn't fallen by his final day's noon, so the bell-ringer advanced noon a full hour and the army withdrew, bound by oath: a city saved by a bell-stroke — the tradition daily to this moment. The spires climb (stairs — the view meeting Špilberk as equal to equal) — and below is quiet Petrov quarter with the overlooking Denis Gardens: Brno's truest sunset corner.
Neo-Gothic at 84 metres — Brno's first picture.
The founding centuries beneath the Baroque — the city in layers.
Petrov 9, 602 00 Brno