The sets are built so you film yourself in them with the original technique.
JiriMatejicek — CC BY-SA 3.0 · Vera de Kok — CC BY-SA 4.0 · -wuppertaler — CC BY-SA 4.0 · JiriMatejicek — CC BY-SA 3.0
No. The museum is built to explain the technique rather than assume knowledge, and the scenes shown stand on their own. Watching Invention for Destruction beforehand adds to the pleasure but is not required.
An hour if you pass through quickly, ninety minutes if you use the interactive stations and film yourself — which is the better part. Its position under Charles Bridge means it folds easily into a Malá Strana walk.
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An interactive museum about the Czech director Karel Zeman, on the riverbank in Malá Strana directly under Charles Bridge. Zeman (1910-1989) was a pioneer of visual effects, and films like Invention for Destruction and Journey to the Beginning of Time built whole worlds by combining live actors with drawings, models and composited shots, decades before computers. His work influenced later directors directly, and Terry Gilliam and Wes Anderson have both cited him. What distinguishes the museum is that it does not merely screen the films but takes apart how they were made: the trick sets are assembled so that a visitor stands inside them and films themselves in the same shot using the same technique. That makes it among the most successful museums in Prague with children. The museum is relatively small, but the interaction stretches the visit to an hour and a half. Its position is excellent — a minute from Charles Bridge.
The sets are built so you film yourself in them with the original technique.
Later directors have cited Zeman as a direct reference for their visual style.
The interaction works with them better than almost any other museum in the city.
Saská, directly under Charles Bridge, Malá Strana