Fifteen thousand tiles glinting with the sun.
Susanne Nilsson — CC BY-SA 2.0 · Dale Cruse - 10M views from San Francisco, CA, USA — CC BY 4.0 · Dale Cruse - 10M views from San Francisco, CA, USA — CC BY 4.0 · Pedro Ribeiro Simões — CC BY 2.0
No: half of it is a tangible historic power station children and engineers adore, its roof and bank free to every Belém walker — and the contemporary-sceptic enters the station and keeps to the wave's exterior: a complete experience without one canvas.
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MAAT is Lisbon's contemporary wave on the river: the Museum of Art, Architecture and Technology (2016) in Amanda Levete's rolling building — fifteen thousand white tiles glinting with the sun's motion, its roof a free public walk flowing from quay to bridge view: the architecture itself the first exhibit. Its second half is the grand brick Tejo Power Station (1908) beside it: giant boilers and turbines kept in place as an energy museum charming engineers and children alike — and the wave-plus-brick pairing is MAAT's complete picture. The exhibitions inside are contemporary art and installations turning by season — their worth honestly season-variable — but the guaranteed constants: the wave and its roof, the boilers, and the river bank between them with container cafés facing the 25 de Abril bridge.
Fifteen thousand tiles glinting with the sun.
The brick cathedral of power.
Avenida Brasília, 1300-598 Lisbon