Vierny met Maillol at fifteen and built an important collection herself.
Moonik — CC BY-SA 3.0 · Guilhem Vellut from Paris, France — CC BY 2.0 · Shev123 — CC0 · Kalepom — CC0
It is good but not the strongest reason. The museum is known today for its temporary exhibitions, some among the most important in Paris and drawing queues. Check what is on and decide on that basis — you may find a show worth the trip on its own, or a gap between shows that is not.
In the Jardin du Carrousel beside the Louvre: a group of his bronzes stands in the open air and can be seen free at any time. If the sculptor alone interests you, that is a good starting point.
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A private museum in Saint-Germain, built around the work of the French sculptor Aristide Maillol and the collection of Dina Vierny, who was his model and later became a collector and dealer. Vierny's story is half the museum: she met Maillol at fifteen and became the principal model for his sculpture in his final years, then assembled an important collection of her own including works by Matisse, Dufy, Kandinsky and Russian artists, and founded this museum in 1995. Today it shows its permanent holdings alongside major temporary exhibitions, which are usually the main reason to visit — shows devoted to particular artists that draw large audiences. Practical points: check the programme before going, since the temporary exhibition normally determines the value of the visit and the ticket may vary with it. The museum is relatively small and needs no more than ninety minutes. The location in Saint-Germain is near the Musée Rodin and the Invalides.
Vierny met Maillol at fifteen and built an important collection herself.
The collection goes beyond Maillol to major modernist names.
The major temporary shows are what the museum is known for today.
Rue de Grenelle, 7th arrondissement, Paris
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