The alabaster doorway
Carved into flowing forms representing Valencia's two rivers, among the city's most famous facades.
Francesco Bini — CC BY-SA 4.0 · Nan Palmero from San Antonio, TX, USA — CC BY 2.0 · Dorieo — CC BY-SA 4.0 · Dorieo — CC BY-SA 4.0
Both, and that is what makes it worthwhile. The collection is ceramic but the palace rooms are shown with their original furnishings, so you visit an aristocratic house and a museum at once. Anyone indifferent to ceramics will find enough in the building.
Yes, the carved portal faces the public street and can be photographed for free. Plenty of visitors stop at that, which is a reasonable choice if your time is short.
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An aristocratic palace in central Valencia holding the national museum of ceramics and decorative arts. The building itself is the first thing that strikes you: a doorway of carved alabaster worked into flowing forms representing Valencia's two rivers, among the most famous facades in the city and photographed far more often than the interior is visited. The collection turns on Spanish ceramics across the centuries, with a natural emphasis on the production of the Valencia region, which was and remains a centre of the craft. The section that matters most to an Arab visitor is the lustreware of Manises and Paterna, an Andalusi technique that moved north and continued after Islamic rule ended. Alongside the ceramics, the palace rooms are shown with their original furnishings, including an eighteenth-century kitchen lined entirely in tile, one of the most photographed rooms in the museum. The location is entirely central, minutes from the Plaza de la Reina and the cathedral, so it needs no special arrangement in the day.
Carved into flowing forms representing Valencia's two rivers, among the city's most famous facades.
An eighteenth-century room lined entirely in tile, the most photographed in the museum.
The lustre technique moved from al-Andalus to Manises and continued for centuries after.
Calle Poeta Querol 2, central Valencia