The dome ascent
A lift and platform put you metres from the frescoes — detail you could never make out from the floor.
C.Stadler/Bwag — CC BY-SA 4.0 · Flocci Nivis — CC BY-SA 4.0 · CGrafPhotography — CC BY 3.0 · Weldon Kennedy from London, UK — CC BY 2.0
Yes if the lift is running — the ascent alone justifies the price. If it's closed for maintenance the interior is handsome but not exceptional next to Vienna's free churches.
The lift is enclosed and comfortable, but the upper platform is open steel with the church floor visible below. Anyone strongly afraid of heights may prefer to stay down.
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A votive church: Emperor Charles VI vowed it in 1713 if the plague left Vienna. It left, so it was built. The result is Europe's strangest church façade — a baroque dome flanked by two vast columns modelled on Trajan's in Rome, fronted by a portico like a Greek temple. Three civilisations in one elevation, which was precisely the point. Inside is a fully painted dome, and something no other church offers: a lift and a temporary steel platform, installed for restoration and then kept for visitors. It carries you up to dome height, a few metres from the frescoes — you see brushstrokes and angels at their true scale, which is normally impossible. In front lies a reflecting pool with a modern Henry Moore sculpture, and a lawn where students sit. In December a small Christmas market runs here, among Vienna's prettiest and most craft-focused.
A lift and platform put you metres from the frescoes — detail you could never make out from the floor.
Two Roman columns, a Greek portico and a baroque dome in one building — Vienna's boldest architectural mix.
The church reflected in water with a modern sculpture before it — the best photo angle, and free.
Karlsplatz, Vienna