Tile sea and river
Red Verona in the turquoise Adige's embrace โ the complete view.
MZ14 โ CC BY-SA 3.0 ยท รlvaro de la Paz Franco โ CC0 ยท รlvaro de la Paz Franco โ CC0 ยท รlvaro de la Paz Franco โ CC0
Complements, not rivals: the tower lifts you above the city's heart for vertical squares; the hill across the river gives lateral panorama with the Adige curving before it โ one geometry, one painting. The rule: tower by day, hill at sunset.
First or last hour, dodging the midday groups โ and mind the clock: on the hour the air shakes with both bells, an experience some time their visit for and sensitive ears avoid.
The Palazzo della Ragione โ medieval Verona's hall of justice โ with its striped Romanesque courtyard and open Gothic staircase, now a modern-art gallery your combined ticket usually covers.
Sign in to write your review of this place.
No reviews yet โ be the first.
The Lamberti tower is Verona's highest point: eighty-four metres grown across centuries โ begun by the Lamberti family in 1172 in Romanesque brick, finished above by the city in marble with a fifteenth-century octagonal bell crown, its striped shaft a stacked architectural history of Verona. A lift spares most of the climb (368 stairs for the willing), and the top unveils Italy's loveliest medieval city from above: a sea of red tile wrapped by the Adige's turquoise serpent, Piazza delle Erbe with its umbrellas directly below, the Arena and the Valpolicella hills in frame. Its two historic bells โ Rengo and Marangona โ still strike overhead: the city's medieval summons to fire, council and feast.
Red Verona in the turquoise Adige's embrace โ the complete view.
1172 brick, then marble, then the quattrocento bell crown โ history in strata.
The market umbrellas and frescoed palaces directly beneath.
Via della Costa 1, 37121 Verona