Glowing continents conversing in colour over the night square.
Patrice Semeria — Public domain · leineart — CC BY-SA 3.0 · Jorge Franganillo — CC BY 2.0 · Jorge Franganillo — CC BY 4.0
Alfred Janniot's statue drew a morality campaign from Nice's ladies at its 1956 unveiling, was chiselled down, then exiled decades to a sports ground, returning restored in 2011 as a late apology. Today he stands in peace — his story told more than his marble.
Nice's Carnival (February–early March) ranks among the world's three greatest: giant satirical floats and flower battles where blooms genuinely rain on the crowd. Stands are ticketed, some standing free — and book hotels months out. For families an exceptional show in mild winter weather.
South through the arcades, the old town and Cours Saleya; east, the Paillon park and its jets; west, commercial Jean Médecin; south-west, sea and promenade in five minutes — Nice's solar roundabout; pick your ray.
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Place Masséna is Nice's red salon: Pompeian-red arcaded buildings over a black-and-white chequered floor, exactly between old town and new — every Nice route crosses it, every festival fills it. Its stars squat on poles: 'Conversation in Nice' by Jaume Plensa — seven glowing seated men for the seven continents, changing colours through the night in a silent light dialogue that became the city's modern emblem. The Fountain of the Sun with its giant marble Apollo holds the southern end. From here run February's Carnival and flower battles, December's Christmas market, every celebration — and the tram slices elegantly between the red arcades. Crossing it is inevitable; pausing is the clever choice.
Glowing continents conversing in colour over the night square.
Red arcades on black-and-white chequer — Nice's visual identity.
Giant Apollo and bronze horses at the old town's gate.
Place Masséna, 06000 Nice