The Scream
Three versions never shown together.
Annikdance — CC BY-SA 4.0 · Frode Inge Helland — CC BY 2.5 · Unknown authorUnknown author — Public domain · Unknown authorUnknown author — Public domain
The National Gallery's version was stolen by daylight ladder (1994), the thieves leaving a card thanking the museum for its poor security — recovered months later. Another was armed-robbed from the Munch Museum itself (2004) in broad daylight — recovered 2006, damaged, and restored. Both tales are now part of the painting's legend as much as its colours.
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The Munch Museum is the world's largest home of The Scream: a leaning glass tower (2021) on Bjørvika harbour holding Edvard Munch's complete legacy — 28,000 works he willed to his home city (paintings, drawings, prints) — the largest single-artist collection in one museum on earth. Three versions of The Scream (oil, pastel, lithograph) are never all shown at once — rotated for light protection, not scarcity — and a route across thirteen floors traces Munch from youthful realism through his raw expressionism (anxiety, jealousy, illness, death) to a calmer late self. The top floor is a restaurant and panoramic terrace over city and fjord — the building itself architecturally contentious (critics dubbed it the Box) but has given Oslo a modern landmark no Opera House bridge crosser misses.
Three versions never shown together.
City and fjord from the top floor.
Edvard Munchs Plass 1, 0194 Oslo